Hifiman Mini Shangri-La Review: The Budget Susvara?

by: Mark Hattar
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Hifiman Mini Shangri-La Review: The Budget Susvara?

As an audiophile, I've had the pleasure of testing out numerous high-end headphones over the years. Recently, I got my hands on the Hifiman Mini Shangri-La Electrostatic Headphones, and I must say, they've left quite an impression. These headphones, along with their dedicated amplifier, promise to deliver an exceptional listening experience. With the new release of the Susvara Unveiled, these may be a legitimate alternative without the $8,000 price-tag. Let me take you through my journey with this electrostatic marvel.

Design and Comfort

The Mini Shangri-La adopts the Hifiman Edition XS headband design, which immediately caught my attention. Weighing in at a mere 320g, these headphones feel incredibly light and easy to wear. I found myself able to enjoy extended listening sessions without any discomfort, thanks to their feather-light construction.

The earpads deserve special mention. They're soft and fit similarly to the Edition XS, providing a comfortable seal around the ears. However, I couldn't help but compare them to the HE1000 and Jade II's suspended headband design, which I personally find more comfortable. While the Mini Shangri-La is certainly pleasant to wear, I feel that at the $1100 price point, Hifiman could have used higher quality materials to enhance both comfort and durability.

That being said, these headphones do feel more durable than STAX's budget offerings. The build quality is decent, but I expected a bit more robustness for the price. At the same time, it's a take-what-you-can-get scenario considering these are $1100 electrostatics. It's a minor gripe in an otherwise well-designed package.

Electrostatic Technology

The Mini Shangri-La employs electrostatic driver technology, known for its incredibly thin diaphragms and unique sound characteristics. Typically, electrostatic headphones offer lightweight construction, even-sounding timbre, bright and airy extension into the upper treble range, and sensitivity to changes in temperature and humidity.

Hifiman has incorporated a Nanometer Protection Layer in these headphones, which serves two crucial purposes. First, it protects the ultra-thin drivers from dust and humidity, addressing a common concern with electrostatic technology. Second, it improves conductivity, potentially enhancing the overall performance of the drivers.

The frequency response of these headphones is truly impressive, spanning from 7Hz to 90kHz. This extended range promises to capture every nuance in your music, from the deepest bass to the airiest highs.

Mini Shangri-La Amplifier

While you can purchase the Mini Shangri-La headphones separately, I tested them with their dedicated electrostatic amplifier system, paired with the Hifiman EF500 in DAC mode. This setup truly brings out the best in these headphones.

The amplifier boasts an efficient design where the Mini Shangri-La voltage is directly sent from the power output transistors. This results in a clean and uncluttered signal path, which I found crucial for maintaining the purity of the electrostatic sound.

The amp features two electrostatic outputs, allowing you to connect multiple electrostatic headphones if desired. It also offers both RCA and XLR inputs, providing flexibility in connecting various source components.

Soundstage and Imaging

Hifiman has built a reputation for delivering an immersive and wide soundstage, and the Mini Shangri-La takes this a step further. The electrostatic drivers create a sense of space that's both expansive and precise. I found myself easily able to pinpoint the placement of instruments within the soundstage, thanks to the headphones' accurate imaging capabilities.

The width of the soundstage is truly palpable, and reverb-heavy sounds move with fantastic clarity. I was particularly impressed by how easy it was to identify the directionality of sounds - a quality that often eludes headphones at this price point.

The tall electrostatic drivers contribute to an engaging and fun listening experience. They create a unique soundstage that feels more accurate than most high-end planar magnetic headphones I've tried. It's clear that Hifiman has leveraged its expertise in creating spacious soundstages with the Mini Shangri-La.

Bass 

Electrostatic headphones aren't typically known for their bass performance, but the Mini Shangri-La surprised me in this regard. The bass is both palpable and present, with an incredibly punchy and textured quality. I could hear all the harmonics of the lowest frequencies, giving bass sounds a forceful presence that I didn't expect from electrostatic technology.

While the sub-bass doesn't have a huge push, there's fantastic depth from the mid/high-bass and low mids. These frequencies work together to support the bass sounds, giving them a unique, punchy character.

I tested the bass response with "Spite For Your Life" by Beast from the East, and I was impressed by how the bass and guitar sounds were full of attack and gritty growl. The Mini Shangri-La managed to make these aggressive sounds easy to listen to while still maintaining their full and large character.

For those who like to tweak their sound, I found that a bit of EQ through the DAC or source can really make these headphones come alive in the bass department. I experimented with pushing up the sub-bass slightly and reducing the low-mids to balance out the sound while maintaining the character of the mids.

Mids

While electrostatic headphones are often synonymous with treble performance, I actually found the midrange to be the standout feature of the Mini Shangri-La's sound signature. There's a slight push in the low mids, coupled with a natural dip between 1.5kHz to 2.5kHz. This tuning interacts beautifully with the airy, fully extended treble and the fullness of the low-mids and high-bass.

The textures in the midrange, particularly with keyboards and voices, sound natural and exciting. I could easily discern micro-harmonics, and recordings with detailed nuances were accurately represented. Voices, in particular, have a great character that's more accurate than almost all headphones I've tried in this price range.

Treble

The treble performance of the Mini Shangri-La is airy and full of life, yet it manages to avoid the common pitfall of excessive brightness that some electrostatic headphones fall into. Unlike some other electrostatic models, these don't push the envelope in the treble region. Instead, they offer an incredibly reasonable brightness and attack to sounds.

The overall treble response is relatively flat without a huge push in any particular frequency range. This balanced approach adds a lovely quality to dynamics. I found that changes in volume were on full display, and the differences in timbre were captured perfectly by the extended treble range.

One of the joys of listening with these headphones is how they reveal the details in high-resolution audio files. The Mini Shangri-La's treble performance puts these nuances on full display, making for a truly engaging listening experience with well-recorded tracks.

Overall Sound Signature

What strikes me most about the Mini Shangri-La is its balanced and natural sound signature. While it exhibits the typical characteristics of electrostatic headphones - lightweight, even-sounding timbre, and airy treble extension - it manages to avoid the common pitfalls of the technology.

The bass is more present and impactful than I expected, the midrange is beautifully balanced and detailed, and the treble extends effortlessly without becoming harsh or fatiguing. This creates a coherent and enjoyable listening experience across a wide range of musical genres. Overall, their tuning and soundstage are reminiscent of the new Susvara Unveiled, with their main difference being soundstage width. If you're a fan of that sound but can't afford their $8,000 price-tag, this does a better job of emulating them than headphones like the Focal Utopia, Final D8000, and Audeze LCD-5.

Conclusion

The Hifiman Mini Shangri-La Electrostatic Headphones, paired with their dedicated amplifier, offer a compelling entry point into the world of electrostatic audio. They manage to capture many of the benefits of this technology - incredible detail, expansive soundstage, and airy treble - while mitigating some of the typical drawbacks like weak bass response. 

While I have some minor quibbles about the build quality and comfort compared to some other options in this price range, the sound quality more than makes up for these shortcomings. The Mini Shangri-La delivers a listening experience that punches above its weight class, rivaling some much more expensive electrostatic systems.

For audiophiles looking to explore electrostatic technology without breaking the bank on ultra-high-end systems, the Mini Shangri-La presents an attractive option. It offers a taste of what makes electrostatic headphones special, with a more accessible price point and easier drivability than some of its more esoteric cousins. Although $2300 doesn’t seem like a deal for most, these headphones are able to outperform a lot of competitors in the $4k-$5k range.

Whether you're a longtime electrostatic enthusiast or a curious audiophile looking to expand your horizons, the Hifiman Mini Shangri-La deserves a serious audition. Just be warned - once you experience the expansive soundstage, detailed mids, and airy treble of these headphones, you might find it hard to go back to conventional designs.

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