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Product Details
Audio46's Opinion
The Moondrop Blessing 2 made its waves for being an exceptionally well rounded IEM, and the Blessing 3 keeps this reputation alive beginning with its soundstage. I find the Blessing 3's stage to be where it finds its most exciting and compelling character, which dances atop its mostly neutral and somewhat straightforward balance.
Our Full Review
↓ Details provided by MoonDrop ↓
(Specifications and appearance of this product are subject to change without notice)
2DD+4BA HYBRID IN-EAR MONITOR BLESSING 3
UPGRADE AND EVOLUTION OF THE BENCHMARK HYBRID EARPHONE
2DD + 4BA Hybrid Triple-range Frequency Division In-ear Monitors
Accurate sound reproduction, Lower distortion and stronger dynamics
Designed Developed - Manufactured by MOONDROP
- Blessing 3 continues the physical frequency division framework of previous versions through the use of state-of-the-art 3D printing.
- Blessing 3 utilizes a new horizontally-opposed double-dynamic bass driver module that delivers higher dynamic range and lower dynamic nonlinear distortion than previous versions.
- The new scientifically-designed horizontally-opposed double dynamic driver module further demonstrates the advantages of the hybrid earphone in bass dynamics.
- The frequency division design of Blessing 3 is the result of a long period of repeated experimentation and modification that has resulted in a doubling of the parameters and accuracy of the earlier Blessing 2, and even better acoustic indices.
- The brand-new Blessing 3 faceplate features an eye-catching interplay of light and shadow, achieved by precision CNC machining followed by meticulous hand-polishing of the esthetically satisfying angular design.
- The classic hybrid triple-frequency division of the Blessing series is the culmination of MOONDROP’s unparalleled acoustic expertise, backed up by repeated testing in the company’s measurement laboratory, and ensuring high full-band phase consistency.
The Next Generation of The Iconic Hybrid Earphone
The first-generation Blessing IEM achieved global recognition thanks to its reasonable price, innovative acoustic design and excellent performance. Its successor, Blessing 2, built on this success with reference sound quality, impeccable details and all-round improved hardware performance, overturning the hybrid headphone rankings and attaining the status of a benchmark product.
After more than three years of constant development and tuning, the long-awaited successor of Blessing 2 has arrived: Blessing 3.
2DD + 4BA Advanced Hybrid Triple-Frequency Division
Blessing 3 continues the physical frequency division framework of previous versions through the use of state-of-the-art 3D printing. It utilizes a new horizontally-opposed double-dynamic bass driver module that delivers higher dynamic range and lower dynamic nonlinear distortion than previous versions.
Improved implementation of hybrid frequency division has further optimized the continuity and smoothness of the mid-highs, ensuring ultra-high detail. Combined with a brand-new bass module, the result is a full-bodied and authentically natural sound quality.
H.O.D.D.D.U.S. - Horizontally-Opposed 2DD Module Based on 3D Printing Technology
The new scientifically-designed horizontally-opposed double dynamic driver module further demonstrates the advantages of the hybrid earphone in bass dynamics.
H.O.D.D.D.U.S. (Horizontally Opposed Dual Dynamic Drivers Unit System) uses dual 10mm dynamic drivers arranged closely and symmetrically using 3D-printed modular components. The components form a physical band-pass filter comprising two independent filtering structures and damping devices, thereby facilitating acoustic adjustment.
Thanks to the use of dual 10mm dynamic drivers, the maximum sound pressure of Blessing 3 is double that of the previous model, and the diaphragm stroke under the same sound pressure is less than half, giving the bass of Blessing 3 a larger dynamic range and lower nonlinear distortion, and significantly improving the sound quality of lower frequencies.
The symmetrical H.O.D.D.D.U.S. arrangement focuses the magnetic field at the magnetic gap of the two dynamic drivers, leveraging the same principle found in planar magnetic earphones. This not only improves energy conversion efficiency, but also further reduces nonlinear distortion.
Each of the dual dynamic drivers consists of a flexible suspension diaphragm with a paper dome, and the high damping characteristics of the paper dome ensure that the dynamic driver does not generate additional resonance due to split vibration in the mids and highs, thus offering a smooth and natural timbre.
3D-Printed High-Precision Acoustic Filtering Nozzle Structure
As in previous versions, frequency division in Blessing 3 is performed by both a physical filter and a crossover circuit, the physical filter consisting of a compact and efficient 3D-printed acoustic structure.
The frequency division design of Blessing 3 is the result of a long period of repeated experimentation and modification that has resulted in a doubling of the parameters and accuracy of the earlier Blessing 2, and even better acoustic indices.
In-Depth Strategic Cooperation With Leading 3D-Printing Suppliers
Compared with the physical filtering structure of Blessing 2, the structural complexity of the innovative H.O.D.D.D.U.S. module adopted by Blessing 3 presents significant challenges in the manufacturing accuracy and reliability of 3D printing.
After several years of in-depth cooperation, we have established a long-term strategic relationship with HeyGears, a leading 3D printing supplier. By upgrading and improving its high-precision DLP-3D printing technology and equipment, we are constantly adapting to the increasingly stringent requirements of manufacturing accuracy and stability, thus making possible high-volume production of the complex structure of Blessing 3.
Eye-Catching Stainless Steel Faceplate
The brand-new Blessing 3 faceplate features an eye-catching interplay of light and shadow, achieved by precision CNC machining followed by meticulous hand-polishing of the esthetically satisfying angular design.
Highly Consistent Full-Band Phase
The classic hybrid triple-frequency division of the Blessing series is the culmination of MOONDROP's unparalleled acoustic expertise, backed up by repeated testing in the company's measurement laboratory, and ensuring high full-band phase consistency.
Combination of innovative acoustic design and expert tuning. Creating a more authentic, more open, and more textured sound
Blessing 3 builds on the solid foundation of hybrid triple-frequency technology by greatly improving bass performance through the innovative H.O.D.D.D.U.S. module.
Leveraging the proven excellence of previous Blessing models and related products, Blessing 3 has been carefully tuned to ensure an even more precise amplitude-frequency VDSF [1] Target Response, resulting in the even more pleasing and accurate sound quality of Blessing 3.
[1] MOONDROP VDSF Target Response is a target frequency response curve based on the HRTF (head related transfer function) of B&K HATS under diffusion and the ideal room preference curve. The closer the frequency response curve measured under B&K HATS is to the target frequency response curve, the more the earphones can reproduce soundstage imaging in terms of frequency response.
Interchangeable Cable Design Rich Playability
Blessing 3 uses a universal 0.78 interchangeable cable, which allows users to replace the cable with, among other options, upgraded cables for monitoring, cables with microphones for calling/gaming, and Bluetooth cables for outdoor listening.
Features
- Model: Blessing3 Hybrid In-ear Monitor
- Impedance: 14.8Ω±15% (@1kHz)
- Frequency Response: 10Hz-30kHz
- Effective Frequency Response: 20Hz-20kHz (IEC60318-4, -3dB)
- Sensitivity: 120dB/Vrms(@1kHz)
- THD: THD@1kHz≤0.5% Driver: 2DD+4BA
- Housing processing: 3D printing of imported medical resin
- Jack: 3.5mm single-ended jack
- Connector: 0.78-2pin
Package
- [BLESSING3] earphone * 1
- 3.5mm silver-plated earphone cable * 1
- Storage bag * 1
- Aviation adapter * 1
- Silicon ear tips * 3 pairs (S, M, L)
- QC Certificate * 1
- Manual * 1
Product Reviews
- Reviews
- Questions
A middle ground between the Blessing 2 and the Dusks
I am really liking them. They have a vaguely planar sound to them since the bass is so flat all the way down. Like planar its the quality of the bass not quantity, they are not as bassy and warm as the Starfields but there is no distortion at all down. But the mids and treble are nearly perfect id say. All listening done through a Topping D10 DAC and a Magni 3 AMP. Listening to Another World by Gojira and I can clearly hear the difference in every cymbal crash, place exactly where they are in the set. But they are not fatiguing the way that Beyerdynamics are (for reference I hear up to about 18.5khz). The mids seriously highlight female vocals. Listening to ABC (feat. Sophia Black) by Polyphia and every syllable from Sophia is perfect and completely audible, which in most systems she gets drowned out by the guitars. To the point there there lyrics I could not understand. Listening to Finger - Audiotree Live by Elephant Gym and and clearity in the mids and treble are king here. There is a LOT of cymbal work going on here, and the bass takes lead for this song and its near perfect for this mix. Often the guitar is lost in the mix but the tone comes through clean and vibrant. Switching over to something I expect them to struggle with: this is what heartbreak feels like by JVKE. Personally I do not think this is a very well mixed song. JVKE is often overpowered by either the synths or the bass. And I have to say while there is a lot of clarity here they do not fix the mix, things sound out of balance and his is not as full as it should. Moving on to what I usually use to test out bass: Dead Man Walking by Grant & ellis. It is immediately obvious these are not bass cannons. There is a ton of texture and dynamics to the bass but this is one of the few genres where that upper bass important for the mix to feel full. I would argue they their clarity actually works against them here. You can hear EVERYTHING, even where you're really not meant to hear individual samples. As for pop, I listened to in my bag by thuy. And they once again shine. Her voice is perfect and the clarity highlights it and separates her voice well. Listening to I Really Want to Stay at Your House by Rosa Walton, Hallie Coggins and I love it. This song brings most of my headphones to their knees do to how full the mix is. There is a ton of bass and a soft vocal which means the vocals get drowned out completely if there is distortion. These stay completely un-distorted and everything sounds balanced with a ton of resolution. There is even something I thought was a synth but I actually can hear that its a vocal. Finally some hip-hop. Listened to Legend Has It by Run The Jewels and that clear bass shines wonderfully. Very subwoofer sound. Love it. Overall it is right where I like to be, I am not a huge fan of a bloated upper bass sound, but I DO like a good sub-bass, which these give me a vaguely 2.1 sound, where there a clear heavy sub bass but a clean upper bass like a sub-woofer would produce (which for my taste tends to make the music I listen to sound bloated). They out-perform everything in my collection. 9/10 I think the bass roll off could happen a tad latter and start higher, but that will likely be what is in the Dusk version from crinicle (which he confirmed he is working on). I saw a reviewer say that they are boring in a good way. They tend to just disappear which I think are the best thing a daily driver can do.
