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Final Audio - B Series B1 Earphone (BA and Dynamic Driver)
between spatial impression and dynamic range of music,
and physical characteristics of earphones and headphones.
Clarity of vocals and each musical instrument is extremely high,
overwhelming presence and feeling of
liveliness as if standing in the center of a live stage.
sound as created by the engineer.
Another approach is dynamic range - in other words, changes in loudness over time. If the dynamic range is wide, naturally it is possible to use the change in loudness over time to achieve a more dynamic expression of music. But, there are some types of music for which narrower dynamic range recordings are preferable to allow each of the instruments and vocals to ordinarily appear before the listener’s eyes.
The difference between these two ways of thinking pertains not to which is superior but rather differences in how music is composed and what is demanded of it. With regard to classical music, and that played by orchestra in particular, the spatial orientation of instruments is particularly important. Stringed instruments are positioned nearest to the audience with wind and percussion placed behind them. Should the balance between the spatial orientation and volume of each group of instruments collapse, the music would disintegrate. For that reason, uniform clarity of sound that allows each instrument to appear before the eyes of the listener is not demanded of this type of music. Even for classical music, a string quartet, for example, would have a narrow dynamic range and the clarity of each instrument would be more prominent. For rock and pops on the other hand, spaciousness is not as necessary as for classical music, and so there is greater emphasis on clarity than spaciousness.
These preconditions are very important, particularly for earphone and headphone listening, and it has become apparent that the implementation of appropriate target curves and driver design result in deeper enjoyment
Please refer to the below graph with spaciousness and clarity of music set on the X axis and dynamic range set on the Y axis. Whereas our E3000 model was designed with aim at the very center of the graph, the B series is positioned outside that area.
In other words, in comparison to the E series, the B series is positioned more as a model to listen to a specific type of music, and you might become so enthralled with it that you can’t do without it. This attraction is typical of the products we produce.
B1 is a model designed with particular emphasis on proximity of sound and sense of reality. In music represented by animation soundtracks, recordings make the proximity of sound more conspicuous. For this type of music recording, the B1 has been designed to achieve playback more consistent with the balance of sound as created by the engineer.
As a result of having newly returned to the basics with regard to our thinking about fit with little sense of pressure, we have arrived at a way of thinking that involves 2 holding positions and 1 assisting position so as to not slip out.
Much the same as a tripod, a stable fit can be secured for any chassis with 3 holding positions.
In the green section of the diagram below (earpiece) is 1 position, the blue section (Tragus) is 1 position, and the pink colored section (cavity of the concha) is 1 position for a total of 3 positions. The tragus secures an earphone with an earpiece in such a way that makes it difficult to feel stress even when force is applied, and the pink section adopts a fit method in which the earphone is supported in place by the cavity of concha in such a manner as to not slip out. By clearly identifying the points of contact, more people’s ears can conform to a fit with no sense of pressure.
If there is no sense of pressure, the fit of the earphone will be felt to be that much more comfortable, and in this way, it achieves the superior fit of a seemingly customized earphone.
There is a high degree of freedom in molding the resin into the same shape as the cast, making it possible to achieve a complex internal design even with metal.
Sound quality: Clarity of vocals and each musical instrument is extremely high, overwhelming presence and feeling of liveliness as if standing in the center of a live stage.
Chrome Copper Housing.
Driver: 1D＋1BA (Networkless)
Cable: OFC silver coated cable
Cord length 1.2m
Long-term Repairable Structure
Final Audio's Signature Fidelity
-Silicon Carrying Case
-Final E-Type Ear Tips