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Final Audio at Audio46
Final Audio D8000 Pro Edition Semi-Open Back Planar Magnetic Headphones (Open box) [Grade A, Full Warranty]
WIRED HEADPHONE
Open-Back
over-ear
planar magnetic
studio/professional
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Product Details
↓ Details provided by Final Audio ↓
(Specifications and appearance of this product are subject to change without notice)
Final Audio D8000 Pro Edition Details
Introducing the D8000 Pro Edition
Leaving the delicate sound quality intact, we have tuned D8000 using the Air Film Damping System (AFDS) exclusively for professional use upon the request of recording engineers who wish to listen at louder sound volumes than ordinary consumers. The human auditory characteristic by which low frequency range becomes easier to hear as sound volume increases has also been taken into consideration. As a result, in comparison to the D8000 which is suitable particularly for classical music and other selections featuring a wide dynamic range, the D8000 Pro Edition provides sound quality perceived to be of higher clarity when listening to rock, pops and other selections that feature a narrow dynamic range.
Technology
A combination of the sensitive high ranges of planar magnetic models and the volume and open feel bass tones of dynamic models.
With conventional planar magnetic models, amplitude is an increasing low range, and since the diaphragm comes into contact with magnets, it was necessary to raise the frequency of bass tones to a level that the driver unit can reproduce. To make up for the lack of bass tones, the inside of the earpads have been tightly sealed, and the front section of the diaphragm has been made a closed space.
This is the same principle as earphones with sealed earpieces being able to reproduce bass frequncies despite their small size. By sealing the inner earpads, it is possible to produce bass tones across low frequency bands; these become the bass tones produced within a sealed space the same as earphones.
With D8000, the problem with the diaphragm coming into contact with magnets has been solved through AFDS (Air Film Damping System), and it has become possible to reduce the frequency of the bass tones that the driver unit can reproduce. Combined with breatheable earpads, bass tone reproduction with a volume and open sound only achievable with superior dynamic models is possible.
Newly-developed AFDS: Air Film Damping System
With conventional planar magnetic models, amplitude was an increasing low range, and the diaphragm came into contact with magnets. To solve this problem, we took measurements by conducting diaphragm simulations using the finite element method and laser Doppler devices numerous times, and established new diaphragm braking technology known as AFDS - Air Film Damping System.
In doing so, the shortcoming of planar magnetic models - the low reproducibility of bass tones - was solved. This technology could be considered a reinvention of planar magnetic models.
With D8000 Pro Edition, the problem with the diaphragm coming into contact with magnets has been solved through AFDS (Air Film Damping System), and it has become possible to reduce the frequency of the bass tones that the driver unit can reproduce. Combined with breatheable earpads, bass tone reproduction with a volume and open sound only achievable with superior dynamic models is possible.
Features
- Tuned for professional sound recordings upon the request of recording engineers who wish to listen at louder sound volumes than ordinary consumers
- A combination of the sensitive high ranges of planar magnetic models and the volume and open feel bass tones
- AFDS: Air Film Damping System
- Designed with prolonged use and ease of repair in mind A machined aluminum-magnesium alloy housing
- Manufactured at our own factory, this model espouses precision
- Newly-developed open type earpads
- Two kinds of cable for the D8000 are included –OFC black cable (3.5mm/1.5m) and OFC silver coated cable (6.3mm/3m)
Specifications
- Product code: FI-D8PPAL（BLACK）/ FI-D8PPALS（SILVER）
- Housing: aluminum magnesium alloy
- Driver: AFDS planar magnetic
- Impedance: 60 Ω
- Sensitivity: 98 dB/mW
- Weight: 523g (excl. cable)
- Accessories: OFC black cable (3.5mm/1.5m), OFC silver coated cable (6.3mm/3m), Carrying case
What the Press is Saying
"The Final Audio D8000 Pro Edition is singular in what it does. Trust me when I say that I’ve heard a lot of $4000 headphones. None can compete with a sound this rich and comprehensive, not to mention engaging."
"The D8000 Pro Edition is extremely well balanced, super tight and all-encompassing. It also offers the kind of detail and precision that you’d expect at this price range."
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Product Reviews
- Reviews
- Questions
This is this.
So I've had these for a week now. Initially I listened to them via the integrated amp in my Matrix Element M with the stock SPC cable. The cable feels nice but the length hence the weight is too much. I received an Audiophile Ninja 4.4 Pentaconn to connect to my XI Broadway.... next thing is damn!! This sound hella good!! I already suspected from all the reviews and praises that these would surpass the Diana Phi. Besides the glowing praises on this forum when the employee at Audio46 told me I should've bought them instead of the Diana Phi; I was stubborn. Well, he was right and that stubbornness cost me an extra couple hundred in taxes before Audio46 wouldnt have to collect taxes from out of state customers. Eitherway, I got an open box deal for what are new headphones. They hooked me up last time with my Arya SE as well since Ive bought quite a lot from them. So on to the sound coming from my rig; IMO its close to excellent. I specifically bought the D8KP because I knew my amp could drive them well. The XI Broadway is allegedly tuned for the Diana Phi but most planars Ive thrown at it have sounded great with it. Its designed to drive low impedance cans so no wonder. Its just an overlooked amp due to it being marketed as specially for Diana headphones. I actually have been enjoying the Finals with the Broadway's matching R2R the K DAC. These cans also sound wonderful off my iFi Diablo. Less detailed and textured than my desktop rig but a very enjoy sound none the less. Im thoroughly impressed and relieved that the D8KP fill that void that I tried to remediate with the Diana Phi. The Diana is still a fine headphone but it sounds so sterile and flat compared to the Final. Now, the Final aren't as comfy plus they're notably heavier than the Diana but the sound is worth the trade off. The amount of detail, texture, bass impact and treble extension with very nice and not over accentuated mid range makes this headphone very close to a unicorn. Its not perfect in the sense that it kind of has a "generic" tone. Thats not a knock though; no frequency really stands out like my Diana Phi or my Arya SE that provide that "house sound" that we become accustomed to from our favorite brands. Instead the Final provides a balanced response that doesn't really on a strange tuning as much as its strengths rely on a headphone that you can throw most genres at and make it sound great. From house music to classical this headphone handles it without breaking a sweat. Sure, at times the bass seems a little heavy or perhaps its my rig that seems to **** out some of the upper mids compared to the Diana Phi but when I switch between these two cans the contrast is quite stark, favoring the D8KP due to the balance of the frequencies in its tonality. Compared to my Arya SE; the Final stomps them. The Arya Stealth are a great pair of cans. For the price they're hard to beat but after being able to compare them with the D8KP they come off as artificial and thin. Still a very fun headphone which I think I will keep around but Final are in a different league all together. Overall; I find the D8KP to provide a true Hi-Fi sound. Immersive, dynamic, textured and at times bombastic. These are the best headphones I've owned so far. Sure, they're not as light weight and tiny as the Abyss Diana or have the impressive staging provided by the Arya but they provide a sound profile that I would easily recommend to anyone looking for cans in this price range.
A worthy Japanese Flagship
Despite the comments in the previous review if you understand what your buying will go a long way. The design astatic is clearly aimed at the Japanese domestic market. They are not a light headphone but they are also not a heavy one. The clamp force is very comfortable and the pads are as well. Are they over the top luxury headphones no. Are they top of the line in function, build quality and design yes. To suggest that core performance among the top tier sets is not present is ludicrous. How the manufacture express that is to your taste. The D8000’s realism is what for me sets is above it’s brothers. That said synergy is very much a consideration with this headphone. Of my equipment my favorite combination has been a Holo Spring 3 KTE into either my McIntosh MHA200 with NOS Mullard Valves or the Oppo HA1. I have Enleum’s AMP-23R on order and am looking forward to hearing this pairing. For my musical library, equipment, hearing and personal sound signature preferences the Final D8000 delivers what no other headphone has.
Worthy Flagship?
The D8000 Pros are pretty disappointing from a comfort standpoint. The weight distribution isn’t good. The pads are uncomfortably firm; the headband has virtually no padding. A comfort strap would have been nice considering the weight. I added a $20 wool headband cover and that added enough cushion as well as friction so it doesn’t slide on my head like before. Sound is neutral, detailed and airy with good bass extension. They have extra energy in the 8K region and can sound a little bright at times but not harsh. The soundstage is above average but I wouldn’t call them wide. The depth is average. The overall sound reminds me of the Sundaras except stepped back in the 3K region and brighter at 8K. Of course they’re better in every way; deeper bass extension, punchier, cleaner, more detailed, etc. Well everything but comfort and maybe soundstage. Yes I would say that in general, they sound most like Hifiman’s (vs Audeze, Focal, Dan Clark, etc.). They’re quite dynamic, unlike other planars I’ve heard. I often add a few dB of bass with EQ to balance out the highs. I’ve had the D8000’s for several months and I haven’t even tried the long silver cable – it’s ridiculously too thick and heavy. Even the shorter black one is too heavy. And sadly, both included cables are single ended (which would be ok if they were more efficient). I ended up getting a custom balanced cable with Meze 99 connectors which works fine. I enjoy having the D8000 Pro’s in my collection. They’re a boutique headphone from Japan so that makes them kind of cool. And they perform very well; they sound like a flagship. However, I think they’re overpriced considering their build and comfort (relative to other brands). They should get rid of the fancy cables and knock $1500 (or more), off the retail price. Then again, I’ve seen some stories on Japanese audiophiles and they’re pretty out there so I’m probably not in the target demographics.
